Специфика театрально-игровых концепций художественного метода У. Хогарта в его графической серии «История распутника» и опере И. Стравинского «Похождения повесы»

摘要

The article studies the theatrical nature of the creative method of the artist William Hogarth increating paintings and graphic series “A Rake’s Progress” and the composer Igor Stravinsky increating the opera “The Rake’s Progress” based on the engravings of the artist. The formation oftheatrical thinking is shown, its origins and interaction with diverse phenomena of English culturein the work of Hogarth and Stravinsky are determined. The author pays particular attention to theissue of the identical creative way that brings out the unity of theatrical thinking, as well as the genrespecifics of Hogarth and Stravinsky, scenic and musical dramatic art for the creation of a scenic andpictorial form. The article analyzes the stylistic features that reflect the main trends of English cultureof the 18th century and European culture of the first half of the 20th century. It examines in detail theexpressive means subordination of the musical pattern to the picturesque dramaturgy of the artist.This research approach allows to confirm the semantic links of structural validity between the worksof the music and art